STIR in conversation with the curators of techart festival FutureFantastic,  STIRworld May 30, 2023
‘Edifice Complex’: Drawings of architecture that reveal socio-economic reality,  STIRworld May 25, 2023
In conversation with Refik Anadol on his AI generated installation ‘Glacier Dreams’,  STIRworld Apr 28, 2023
Sophie Allerding challenges modern prerogatives through her unconventional art,  STIRworld Apr 26, 2023
‘Lucie Rie: The Adventure of Pottery’ at Kettle’s Yard celebrates the ceramist’s life,  STIRworld Apr 07, 2023
Betty Woodman and George Woodman showcase works at Charleston Gallery,  STIRworld Mar 26, 2023
Merging the subject, the object, and the medium in the art of Marina Abramovic,  STIRworld Mar 24, 2023
NFTS, new media art, and artists: Clara Che Wei Peh unpacks Art Dubai Digital,  STIRworld Mar 24, 2023
Encounters: the curated sector at Art Basel Hong Kong presents 14 large-scale projects,  STIRworld Mar 22, 2023
Untangling the art of Moritz Berg,  STIRworld Mar 21, 2023
Manchester Museum’s South Asia Gallery gives a voice to diasporic art,  STIRworld Mar 18, 2023
Art Dubai Bawwaba 2023 introspects on the value of skill in contemporary art,  STIRworld Mar 17, 2023
The concept of Lolo & Sosaku’s site-specific ‘De la Tierra’ necessitates a disused space,  STIRworld Mar 08, 2023
Exploring Lorenzo Vitturi’s ‘Aventurine, Transformations & Other stories’,  STIRworld Feb 25, 2023
Investigating curated experimental and immersive works at the Students’ Biennale,  STIRworld Feb 14, 2023
Gallery Climate Coalition on eliminating carbon footprint in the arts sector,  STIRworld Feb 06, 2023
Dhaka Art Summit 2023 explores metaphors of word and water that have shaped culture,  STIRworld Feb 02, 2023
STIR curates a selection of unmissable works at the upcoming India Art Fair,  STIRworld Feb 01, 2023
‘New Curators’ hopes to expand the landscape for curatorial practices in the UK,  STIRworld Jan 21, 2023
Abhishek Poddar & Arik Levy discuss the sculptural commissions at MAP Bangalore,  STIRworld Jan 16, 2023